Where Everyone Knows Your Name

Not being a World of Warcraft player, I have not been following the Blizzard RealID controversy very closely, but the furore has been such that it has been impossible to ignore. I read that Blizzard have now backtracked on their stance, but not fully. Anonymity seems to be one of the founding principles of internet interaction, and while it is the root cause of much of the undesirable behaviour on the internet, I can certainly understand why in many cases it needs to stay that way.

I read this comment on Metafilter, linked from Penny Arcade, and I have to say I found it a bit shocking. The assertion that every female player will be harassed and many of them will fear physical confrontation if it is made easier to e-stalk them would seem like scaremongering overreaction if it weren't for the scores of follow-up responses pleading with people not to belittle the problem.

I know WoW has more players than the population of many small countries, and that with such a broad spectrum of humanity online you are bound to get a fair number of maladjusted miscreants, but it is a pretty sad indictment of online game players that harassment and abuse seem almost guaranteed.

As is visible on the right hand side of the blog, I currently use my full real name as my Gamertag on Xbox Live (and Games for Windows Live, as they use the same tag). I set it up at a time where I couldn't be bothered with all the hiding behind aliases that happens on the internet, and I haven't got around to changing it. Every time I play online my name is available to the people I play against, which has never really concerned me before. It no doubt helps that I don't play any MMOs - even if I were to really piss someone off, the transience of the games I play would mean it wouldn't be worth their while to really try and grief me, they'd probably never come across me again. I have had a few insulting messages typed at me in Dawn of War 2, with one person even feeling the need to send a swearword-filled rant to me on Live after a game, but it really didn't bother me. It would probably be different if I knew I was probably going to be sharing the game with that person most of the times I wanted to play.

Trying to bring bit of accountability to people's interactions in a game is certainly a worthwhile goal; unfortunately, Blizzard's attempt with the RealID system does not appear to be a workable way of achieving it.

In Space No One Can Hear You Ruminate About Old Game Genres

Space-sims. Probably the loosest use of the word "sim" you'll encounter, but a large number of gamers have many fond memories of these types of games, whether they're of the Wing Commander / X-Wing / Freespace combat-focused variety, or the Elite / Privateer / Freelancer type game with more of an emphasis on trade and exploration. It probably seems like they don't make them anymore, but as with most seemingly forgotten genres, they're likely still being made by small European PC game developers that you've never heard of.

One wonders, with all this goodwill for the genre in the hearts of older gamers, why they don't seem to have released a decent space-sim of either variety on any of the current generation of consoles. That's going to change, though, as it appears that Ascaron Entertainment's fairly well received 2006 space trading and combat game, Darkstar One, is being readied for release on the Xbox 360. I see Eurogamer even has a preview for it, which I haven't even read because I'm so worn out from work at the moment.


I don't really know whether the market will support this sort of game, and I don't know if Darkstar One is the best of the breed as far as modern Elite-clones go, but I am certainly happy to see someone trying to get a space-sim out into the console market. I'm going to make two predictions: it will end up with a metascore somewhere in the mid-60s, and by the end of the year you will probably be able to import it for less than £10 before shipping. And when it that happens, it may well be worth a look, if only for old times' sake.

Pac-Man's 30th Anniversary

You may have noticed that Google has a pretty awesome playable tribute to Pac-Man in its logo (it even has a two-player option if you push the "insert coin" button). This is because this week marks the 30th anniversary of what is arguably the most recognisable videogame of all time.

I'm not going to try and explain the impact Pac-Man had on gaming, that has probably been done better than I would be able to, and I'm actually too young to have played Pac-Man in the arcades. However, I spent a bit of time playing the game late last year (the XBLA version on the Namco Museum Collection), and it's remarkable how well the game still stands up. As I seem to state in a lot of these posts, I enjoy retro-gaming, but a lot of old games rely on nostalgia and a "so bad they're good" factor now. Pac-Man, on the other hand, remains a challenging, well designed game, where repeated play actually sees you improving as you develop better strategies to go with improved reflexes. For a game released in 1980, that is quite a feat.

Namco have stated that they plan to release a new version of the game this year to mark the 30th anniversary. Having already made all the usual mistakes in updating old classics (trying to add storylines, making it into a 3D platformer) many, many years ago, their last Pac-Man game, 2007's Championship Edition, took the game in new directions without compromising the core of the game, so it will be interesting to see what the new one will be like. Rumours currently suggest a four-player game where Pac-Men have to eat each other as well as ghosts and dots. The new game will most likely be revealed at E3 this year.

The Wrath of War

After being diverted from it to play the campaign in Dawn of War 2: Chaos Rising, I've recently gone back to playing Darksiders, as game I mentioned in my stylish hard action game round up a few months back.


I was reminded of a Penny Arcade comic about the game (I would also recommend reading the newspost attached to it), and specifically its relationship with Dante's Inferno, a game I also included in the SHA round up and was not bowled over by the demo of. Certainly, Darksiders includes elements easily recognisable from other games, but Dante's Inferno feels like a God of War clone, like it set out with only one goal in mind. Darksiders pulls from many sources and suffuses them with its own style, it certainly doesn't come across as a copy of any one thing. Visually and thematically, it actually reminds me more of Soul Reaver than any recent game, which is certainly no bad thing.

Mechanically, it's far from perfect. The graphics are not amazing; I think, resolution aside, they would have been matched by games on the previous generation of consoles (I'm thinking Ninja Gaiden on the original Xbox and God of War on the PS2). The animation can be quite stiff and the combat is less fluid than Dante's Inferno or Bayonetta, with the combo system not seeming to have as much depth. It has a lot of charm, though. In this modern era of ruthlessly focus tested games and safe-bet sequels, Darksiders comes across as a the product of a developer who had an idea for an awesome game and just went ahead and tried to make it, which makes any shortcomings far easier to forgive.

I'm not very far in it, and it seems like quite an expansive game (sadly, for me, this is not necessarily a good thing), but so far I'm really enjoying it. I'm pleased to see that it was fairly well received critically, and I read that it sold quite well, too. I appreciate what Vigil have tried to do with the game, and I'm glad to see it has brought them success.

Split/Second

I had a bit of room left in my cap for the month (okay, those of you in first world countries can stop laughing now), and I saw that a demo for Split/Second had been released onto Xbox Live. I mentioned Split/Second in my entry on how I was pretty unexcited about most of the releases due for the rest of the year, but I thought it was worth checking out.

Developed by Blackrock Studios, the company behind quad-bike racer Pure, the premise of Split/Second is that you compete in a futuristic television show, where contestants race around a track rigged with explosives. Filling your power bar by drifting, jumping or slipstreaming other cars allows you to trigger explosive power-plays, which can be range from small explosions to take out opponents to massive events which reshape an entire portion of the track.

The HUD is attached to the back of the car, so you can still see it when the speed blur gives you tunnel vision

One of the things which got me interested in the game in the first place was that it seemed to capture some of the spirit of the early Burnout games, and that spirit is very evident in the demo. It has the same manic energy to it, the screen almost constantly in speed-blur, bits of debris flying at the camera as you hurtle around the track. Most importantly, the "holy crap" factor is very high, as you dodge explosions and wreckage, and some of the power plays are enough to make you duck or lean on the couch to try and avoid them (notable ones on the demo's airport terminal track involve an air-traffic control tower falling into the track, and a plane crash-landing onto a runway which you are racing down at the time).

With only one car, one track and three laps, the demo seems quite light, and without upgrades or even needing to brake for corners, the full game might lack depth compared to, say, the heavyweight auto fetishism of Forza 3, but I don't really mind. In some ways it is not-unwelcome throwback to the days when games were just about the thrill of the action, before RPG progression wormed its way into every genre. Besides, longevity is hardly the top of my list of attributes I want a game to have nowadays.

So I'm definitely going to buy the game... when I can import it for £20. That seems quite harsh on a game which I think looks pretty good, but it seems like it will discount fairly quickly, and I'm currently not seeing the point of paying full price for a game I probably won't even get to play before the price drops anyway. Split/Second is out on the 21st of May.

Attitude for Gains: Now with added spam

I'm trying something new here, I'm going to set blogger to email people when a new entry goes up, as I now update so infrequently that it isn't worth most people's time to check it with any regularity. If you don't want this, please let me know and I will happily take you off the list, and I won't be offended at all. Similarly, if you weren't emailed with this update and you would like to be, just leave a comment or send me an email and I will add you.

Everything Old is New Again

A lot of times it seems like people would rather dig up the past then try and do something new. Bands release covers of well known songs to guarantee themselves a hit, and movie makers seem hell-bent on remaking every old film and TV show in the hopes that people who loved the original will feel compelled to watch the new version, regardless of its quality. Usually, I'm against this sort of thing, even in the games industry, I'd rather see developers take a chance with new IP. However, two items of news which caught my eye this week made me feel differently.

First up was news of EA and Starbreeze registering "Syndicate" trademarks. It had been rumoured for a while that EA (who own the Syndicate IP since they bought and destroyed Bullfrog) and The Darkness / Chronicles of Riddick developer Starbreeze were working on a new Syndicate game, but I feared when reports surfaced that a game they were developing was cancelled that it was going to be stillborn. Now it appears that they actually canned a Bourne Identity game (which nobody cares about), in another case of EA making good now that ActiBlizz has replaced them as the evil empire of the gaming industry. For those of you too young to remember, Syndicate was one of Bullfrog's many groundbreaking games, an isometric action-strategy game set in a surprisingly fully realised (for 1993) cyberpunk environment. Looking at the screenshots does provide a bit of a reminder as to how long ago 1993 was, though.


The other item of news involved 2K Games announcing that Bioshock 2 developers 2K Marin were making a new X-Com game (it has now been explained that it is actually 2K Australia developing the game, but this doesn't mean much to me. 2K Games really needs to let its studios have more interesting names). Released 1994, the first X-Com game (you'd probably be more familiar with the European title of UFO: Enemy Unknown) was a landmark title of the late DOS gaming era, combining base building, research and resource management, a real-time global map and a turn based, tactical combat system for individual battles. It wasn't much to look at (even by 1994 standards), and the individual mechanics weren't always that well resolved (the tactical elements of the turn based combat, for example, were notably inferior to the first Jagged Alliance game), but it had such breadth of ambition, and so many good ideas that it felt massively ahead of its time.


While I'm excited to see these classic names return to gaming, I am a little concerned that the rebirths (they're doubtlessly going to be too different to be called remakes) of these series might not retain much of the spirit of the old games, the things which made them so great when they were first released. Chief amongst these worries is the fact that both games, where both original versions were viewed from an isometric third person perspective, are likely to be remade as first person shooters. This is merely speculation for the new Syndicate game, based on the nature of Starbreeze's recent releases, but has been confirmed for the new X-Com game. Hopefully the game will still include the macro-level strategy of the original, but I think that putting the player in charge of an individual soldier, even with some tactical controls, will change the feel of the game quite a lot, as will the shift to real-time from turn-based combat. Similarly, I think making the new Syndicate game a first person shooter will also lose something, and make it feel far more generic. Still, at least it doesn't sound like they're going to make it a team-based online FPS, like how Microsoft squandered the Shadowrun IP.

It's far too early for anything but conjecture on these games, neither of which have even had a release window announced, but hearing that these two classics were coming back certainly gave me a brief flash of nostalgic joy.